Victoria University

Understanding Common Sense Themes of Intellectual and Creative Work: the Social Representation of Intellectual Property

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dc.contributor.advisor Liu, James
dc.contributor.advisor Wilson, Marc
dc.contributor.author Pauling, Joel Wiramu
dc.date.accessioned 2009-10-01T20:20:46Z
dc.date.available 2009-10-01T20:20:46Z
dc.date.copyright 2009
dc.date.copyright 2009
dc.date.issued 2009
dc.identifier.uri http://hdl.handle.net/10063/1027
dc.description.abstract This thesis examines the construction of Intellectual Property discourses using the social Psychological theoretical framework of Social Representations theory (Moscovici, 1984), and explores the various themes which emerge around the treatment of knowledge, ideas and creative work from both historical and contemporary perspectives. The first two chapters introduce Social Representations theory and the methodology of Thematic Analysis. Study one presents a historical account and literature review on the general themes of knowledge, intellectual and creative endeavours, and how various cultures and social powers have approached these concepts throughout history. It includes an overview of current technological and social changes around the same themes, the challenges these changes may have on existing social representations, and the groups that have vested interests in particular representations. The idea that existing dominant representations cannot adequately incorporate new representations arising from users and adopters utilising the new medium of the 'network' as a social-cultural tool is also introduced. Study two examines similar topics through analysis of public submissions to the New Zealand Patent act review. In this study, individual submissions are analysed in detail using a thematic analysis-like process, incorporating this into a Social representations framework designed to extend and test the representations observed in study one. Evidence of a dominant industrial representation involving market economic treatment of knowledge centred on a physical resource conceptual anchor was observed. Conflicting social representations held by other groups included representations of a collectivist common good centred on innovation and rights themes. Evidence that significant re-representation of the property conception away from a physical good anchor by various groups was found. Social, cultural, and economic consequences of these competing representations effect on societies are considered. en_NZ
dc.language.iso en_NZ
dc.publisher Victoria University of Wellington en_NZ
dc.subject Technology en_NZ
dc.subject Traditional knowledge en_NZ
dc.subject New Zealand Patent Act en_NZ
dc.subject Social dominance en_NZ
dc.subject Digital media en_NZ
dc.subject Social representations en_NZ
dc.subject Intellectual property en_NZ
dc.subject Economics en_NZ
dc.subject Psychology en_NZ
dc.subject Patents en_NZ
dc.subject Inter-group conflict en_NZ
dc.subject Law en_NZ
dc.subject Internet en_NZ
dc.subject Trademarks en_NZ
dc.subject Design law en_NZ
dc.subject Copyright en_NZ
dc.subject Intellectual and creative work en_NZ
dc.subject Globalisation en_NZ
dc.title Understanding Common Sense Themes of Intellectual and Creative Work: the Social Representation of Intellectual Property en_NZ
dc.type Text en_NZ
vuwschema.contributor.unit School of Psychology en_NZ
vuwschema.subject.marsden 390114 Intellectual Property en_NZ
vuwschema.type.vuw Awarded Research Masters Thesis en_NZ
thesis.degree.discipline Psychology en_NZ
thesis.degree.grantor Victoria University of Wellington en_NZ
thesis.degree.level Master's en_NZ
thesis.degree.name Master of Science en_NZ


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