Abstract:
This research explores the significance of the stair as a spatial and
symbolic architectural experience. The stepped form integrated with
architecture. The stair is an integral feature of architecture which has
the potential to be specifically designed to enhance space and create
particular experiences. A stair is not only a functional object, but a
medium for design.
Metaphorical staircases are absent in contemporary architecture
as a loss of meaning has resulted in monotonous designs devoid of
figurative or poetic significance. The staircase has been a fundamental
component of architecture since Neolithic times, however has recently
been neglected. The stepped form has represented many themes
including hierarchy, transcendence, or authority. In contrast, the
contemporary staircase has embraced pragmatics. Safety restrictions,
efficiency, and budget constraints, result in disregard for aesthetics
and meaning.
Film provides a behavioural setting in which to analyse how people
move, behave, interact, and experience staircases. A range of films
will be analysed to identify techniques for meaningful stair design. The
influence of surreal qualities will also be determined to enhance an
experience. Surreal imagery offers the opportunity to create dreamlike
space, activating the subconscious.
The metaphoric connotations of staircases will be explored through six
research categories; the stair as Symbolic, Illusive, Transitional, Kinetic,
Psychological, and Iconic. Design case studies will then investigate the
intersection of the staircase as architecture, filmic representation, and
surreal experience. The stepped building Casa Malaparte in Italy acts
as a reference model for the successful integration of these concepts.
With influence of these themes, the staircase can once again become
widely acknowledged as architecture.
