Abstract:
In the design of memorial architecture, there is encountered an overuse of literal metaphor in
order to translate difficult concepts into the built form. These metaphors are explored in
contemporary examples of memorial and hybrid-memorial typologies. Within Chernobyl, there
is a set of criteria that enable these metaphorical interpretations to operate on a more complex
level, and allow the act of memorialising a truer response. The unique conditions contained
within the reactor allow for a reinterpretation of architectural process, which is already realised
by the existing Sarcophagus - a reactive memorial itself, designed to entomb the burnt core and
its radioactive properties. As such, the reactor and its attached site can no longer be re-used in
any functional capacity; the proposed memorial embraces these criteria, exploiting
phenomenological thought in order to locate a set of boundary conditions. This creates an event-space -
that being the location of inhabitable architecture within the reactor. Event-space exists
between the boundaries established, which is a conceptual entity that is able exist in reality, and
enable flashes of the past events to surface, which are interpreted by the memorial inhabitants.
The memorial uses this event-space, within the sites absence of function, to locate the actual
event of the disaster in the past. This fragile undertaking is achieved by placing greater
responsibility on architecture to mediate the design of memorial, and remove external influences
that halt this process.
