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Opportunity and Uncertainty: Supervisors, examiners and graduates describe the Critical/Creative Nexus in practice in the Creative Writing PhD at the International Institute of Modern Letters (University of Victoria, Wellington, New Zealand)

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dc.rights.license Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) en_NZ
dc.rights.license Share — copy and redistribute the material in any medium or forma en_NZ
dc.rights.license Adapt — remix, transform, and build upon the material en_NZ
dc.rights.license Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use en_NZ
dc.rights.license NonCommercial — You may not use the material for commercial purposes. en_NZ
dc.contributor.author Jenner, Lynn
dc.date.accessioned 2017-02-21T21:33:30Z
dc.date.accessioned 2022-07-07T22:01:43Z
dc.date.available 2017-02-21T21:33:30Z
dc.date.available 2022-07-07T22:01:43Z
dc.date.copyright 2017
dc.date.issued 2017
dc.identifier.uri https://ir.wgtn.ac.nz/handle/123456789/19672
dc.description.abstract In December 2014 I held six exploratory interviews with participants in the PhD programme at the International Institute of Modern Letters (IIML), Victoria University of Wellington, New Zealand to explore the relationships between the critical and creative components of the PhD as understood by these particular individuals. The interviews show a range of opinions regarding the purpose of the critical component, its form, the assessment of the critical and creative components and the degree structure.My aim for this research was to create a feedback loop of information about the critical/creative nexus from people who are members of the IIML community of practice. I hoped also to collect and share practical ideas from graduates, supervisors and examiners on how to work through or with the tensions surrounding the critical/creative nexus. In line with that, the purpose of this report is to make the whole content of the six interviews available so that readers can investigate issues which might be of particular interest to them. en_NZ
dc.format pdf en_NZ
dc.language.iso en_NZ
dc.publisher Te Herenga Waka—Victoria University of Wellington en_NZ
dc.rights.uri https://creativecommons.org/licenses/by-nc/4.0/
dc.source.uri http://pinklight.nz/creative-writing-pedagogy/
dc.subject Critical/creative nexus en_NZ
dc.subject Creative Writing PhD en_NZ
dc.subject reflective practice en_NZ
dc.subject community of practice en_NZ
dc.subject craft-focused research en_NZ
dc.subject research question en_NZ
dc.subject critical component en_NZ
dc.subject writerly idea of critical work en_NZ
dc.subject learner agency en_NZ
dc.title Opportunity and Uncertainty: Supervisors, examiners and graduates describe the Critical/Creative Nexus in practice in the Creative Writing PhD at the International Institute of Modern Letters (University of Victoria, Wellington, New Zealand) en_NZ
dc.type Text en_NZ
vuwschema.contributor.unit International Institute of Modern Letters en_NZ
vuwschema.subject.anzsrcfor 190402 Creative Writing (incl. Playwriting) en_NZ
vuwschema.type.vuw Discussion Paper en_NZ
vuwschema.subject.anzsrcforV2 360201 Creative writing (incl. scriptwriting) en_NZ


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